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  Featured Destination: Repkong, China
 
Text and Photos by Park Jong-woo
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Festivals in Repkong

Repkong is not in Tibetan territory. Administratively, it belongs to Qinghal Province but it is closer to Gansu. And for visitors, Repkong is most easily accessed from Chengdu in Sichuan Province. The people who live here, however, are of Tibetan minority. In terms of archaeology, history, religion and culture, these people have close ties with central Tibet. Repkong and its surrounding area has long been a frontier province of Tibet called Amdo.


Along the tributaries to the upstream Yellow River, There are numerous Tibetan temples and villages. The upstream Yellow River, called Ma-Chu by the local Tibetans, has an inseperable relationship with the people of Amdo. They formed settlements along the streams of MA-Chu. The main religion in Amdo is the Gelug sect of Tibetan Buddhism. Gelug, which refers to the yellow hats that the monks wear, has the Dalai Lama as one of its members. Repkong is situated between the two most influential temples in eastern Tibet: Kumbum Temple in Xing. Qinghai Province and Labrang Temple in Xiahe, Gansu Province. Repkong has long been a boundary where Chinese and Tibetan cultures often met. The Mongolian army left its mark here and so did the Islamic civilization that marched eastward along the Silk road, all of which made the region very culturally complex. Yet off the main Silk Road route, the area’s characteristics as a place where war was made over caravan trade routes, is still visible. On the way to Repkong, there are few signs that the ancient Buddhist culture is still alive in this region. Instead, everything here is Islamic. Many people on the street are Muslim and wear Islamic dress. Once can also see mosques and people praying in the direction of Mecca.

Across a bridge over the Yellow River is Rongwo. A path built precariously on the edge of a cliff overlooking the valley looks very rough. All of a sudden, a 30 meter image of Buddha carved into the side of the cliff appears on the other side of the valley. The face of the seated Buddha is brightly painted and some Tibetan characters are inscribed on the right hand side. Just a few moments earlier I had passed by village with a mosque. Then suddenly the atmosphere completely changed and it was as if I were in a different country. People here were wore long-sleeved Tibetan clothes and there were chordens at the village gates, which signifies that this is a Buddhist village.

After about 10 killometers of narrow paths, villages suddenly appeared in a basin of farm fields. Each village has a Buddhist temple, and the administrative centre of this basin is called Rongpo Gyakhar. Originally, more than 70 percent of the residents used to be Tibetan descent, but now the place is called by its Chinese name Tongren.

Tongren is undergoing dubious Chinese style urbanization that is common in the autonomous counties of ethnic minorities in China. On both sides of the nearly four lane road, stand buildings that are finished with Chinese-style tiles and appear out of place with the surrounding scenery. The green panes of glass in the windows of those buildings represent modernization, yet they seem out of sync with the calm appearance of the temple sitting majestically on the mountain slope.

Among the 50 or so Tibetan Buddhist temples in the Repkong area, Rongpo, Wutun and Guomari are the most popular with festival goers. Repkong is an important center for Tibetan Buddhist art. In this region in particular, the art of making tangka appliqué is so superb that most of the tangkas across Tibet are made by painters from here. Even today most of the adult make population who live near the temples in the Rapkong region are directly or indirectly involved in the making of tangkas. Every Repkong temple has a huge tangka measuring 20 by 30 meters and is displayed once or twice a year at during festival times.

The reason the tangkas get taken out from deep inside the dark temples and put on public display is that they occasionally need to get exposed to sunlight and wind. At those times monks participate in group dances and strong young males in the village take out the rolled up tangka from the corner of the storeroom, put it on their shoulders and take it to the street. While the holy tangka is transported up a hill, devotees kiss and bow to it in order to be blessed. They hold up high for them to touch the tangka in the belief that such an act dispels diseases. Once up the hill, it is unrolled down the slope while monks read scriptures. Once complete, people reverently put their hands together in the direction of the tangka while the gigantic image of Buddha shines in the sunlight.

After the tangka opening ceremony, the main part of the festival begins. The most popular attraction is the mask dance performed by the monks. The Tibetan mask dance, called Cham, depicts conflict between good and evil. When the lamas defeat the evil spirits during the dace, the audience applauds and cheers and one begins to forget all the stress and worries of daily life. When festivals take place, nomads flock to the temples by bus or foot, and people clad in colorful and flamboyant attire sell and buy goods on the market open during the festival periods. For nomads, the festivals in Repkong are an important time during which religious ceremonies, entertainment, and shopping can all happen in one place.

 

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